Retrofitted pop band The Clientele had obvious roots in the hazy, autumnal glare of Galaxie 500 and Felt. Just as those bands took their Velvet Underground and Television records to heart without being derivative, The Clientele were able to chalk up an extensive discography riddled with lush melodies of their own without sounding like a tribute band. Think of your favorite '60s pop band and odds are they're in the Clientele's blood.
The London-based band formed in mid-1997, consisting of Alasdair MacLean (guitar and vocals), Innes Phillips (guitar and vocals), James Hornsey (bass), and Howard (drums). Mark Keen replaced the academically occupied Howard toward the end of 1999; Phillips left early on to form the Relict, a group with a varied membership that has occasionally included Clientele members. After debuting on the Fierce Panda label's Cry Me a Liver compilation, the Clientele released a slew of singles, compilation contributions, and EPs in short order. Most significantly, March released A Fading Summer in 2000, an EP that harvested some of the band's hard to find singles and a couple new recordings. Later that year, the full-length Suburban Light (another compilation of previously recorded material) was issued by Pointy.
The band hooked up with Merge Records in early 2001, which issued Suburban Light in the U.S. months later. The Lost Weekend EP came out on Acuarela in 2002, which was followed a year later by their first proper album and Popfrenzy debut, The Violet Hour. Strange Geometry arrived in 2005, and in 2006 the band added keyboardist/violinist/percussionist Mel Draisey to its ranks. God Save the Clientele, which featured production by Mark Nevers of the band's U.S. band Lambchop, was released in mid 2007. Bonfires on the Heath, another release for Popfrenzy, is in stores late November 2009.